Brand identity
We decide the mark, the palette, the type and the rules once, apply them to the things you actually send out, and write down why each decision was made so the next person can follow it..
Logo design
A single logo, drawn properly on a grid, tested at the sizes you will actually use it at, and delivered in every format and lockup you need so nobody has to crop a PNG again.
The problem
The drawing matters, but what causes daily pain is the absence of the other twelve files. No square version for a profile picture. No single-colour version for the embroidery quote. No SVG, so the developer traced it. No favicon, so the browser tab shows a blank sheet.
The second problem is scale. Most marks are designed at poster size and then used at twenty pixels in an app switcher. Counters fill in, thin strokes disappear, and the mark turns into a grey blob that nobody recognises.
So we draw at the small size first and scale up, and we deliver the whole set at once rather than in response to requests over the following year.
“We have the logo as a PNG with a white box behind it. Someone made a version with the name removed. I do not know which one is right.”
Reported by roughly half the teams who contact us
What you get
One mark, fully built out. Delivered in a folder structure that makes the right file obvious to someone who has never met you.
How it runs
Forty-five minutes on what the company does, who it sells to, and which marks in your category you keep confusing with each other.
Concepts worked up in black and white only. Colour hides weak drawing, so it comes later.
One direction chosen, then redrawn on a grid with curves corrected by hand and tested down to sixteen pixels.
Every lockup, format and variant exported, named clearly, with the usage sheet on top.
Price
From ₹65,000
Two to three weeks. One mark, three concepts, two revision rounds.
This buys a mark and its complete file set. If you also need palette, type and templates, the identity project is better value than buying both separately.
Questions
Because the fourth is always worse. Three gives a genuine choice between different ideas; more than that means we are producing variations to look busy, and you end up picking on mood rather than fit.
Yes, and for most early-stage companies a wordmark is the better call. A symbol has to be taught to the market before it means anything, and that is expensive. We will tell you which one your situation argues for.
Often the right answer. A redraw fixes spacing, curves and small-size legibility while keeping the recognition you have built. It is cheaper and less disruptive, so ask about it.
We do a visual check against your category and flag anything uncomfortably close, but we are not lawyers. Before you file, have an agent run a proper search. We will supply the files they need.
Two rounds on the chosen direction. In practice most projects use one, because the concept stage is where the real decision happens and we spend the time there.
Also relevant
We decide the mark, the palette, the type and the rules once, apply them to the things you actually send out, and write down why each decision was made so the next person can follow it..
A small set of post formats, built so your marketing coordinator can fill them in on a Tuesday morning and have it look like the rest of your brand without asking anybody..
We will tell you whether they need replacing, redrawing or just organising. Two of those three are cheaper than you are expecting.